SONNET—TO SCIENCE Science! true daughter of Old Time thou art! Who alterest all things with thy peering eyes. Why preyest thou thus upon the poet’s heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise, Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car? And driven the Hamadryad from the wood To seek a shelter in some happier star? Hast thous not torn the Naiad from her flood, The Elfin from the green grass, and from me The summer dream beneath the tamarind tree? AL AARAAF (*) PART I. O! nothing earthly save the ray (Thrown back from flowers) of Beauty’s eye, As in those gardens where the day Springs from the gems of Circassy— O! nothing earthly save the thrill Of melody in woodland rill— Or (music of the passion-hearted) Joy’s voice so peacefully departed That like the murmur in the shell, Its echo dwelleth and will dwell— Oh, nothing of the dross of ours— Yet all the beauty—all the flowers That list our Love, and deck our bowers— Adorn yon world afar, afar— The wandering star. ’Twas a sweet time for Nesace—for there Her world lay lolling on the golden air, Near four bright suns—a temporary rest— An oasis in desert of the blest. * A star was discovered by Tycho Brahe which appeared suddenly in the heavens—attained, in a few days, a brilliancy surpassing that of Jupiter—then as suddenly disappeared, and has never been seen since. Away—away—‘mid seas of rays that roll Empyrean splendor o’er th’ unchained soul— The soul that scarce (the billows are so dense) Can struggle to its destin’d eminence— To distant spheres, from time to time, she rode, And late to ours, the favour’d one of God— But, now, the ruler of an anchor’d realm, She throws aside the sceptre—leaves the helm, And, amid incense and high spiritual hymns, Laves in quadruple light her angel limbs. Now happiest, loveliest in yon lovely Earth, Whence sprang the “Idea of Beauty” into birth, (Falling in wreaths thro’ many a startled star, Like woman’s hair ‘mid pearls, until, afar, It lit on hills Achaian, and there dwelt) She look’d into Infinity—and knelt. Rich clouds, for canopies, about her curled— Fit emblems of the model of her world— Seen but in beauty—not impeding sight Of other beauty glittering thro’ the light— A wreath that twined each starry form around, And all the opal’d air in color bound. All hurriedly she knelt upon a bed Of flowers: of lilies such as rear’d the head *On the fair Capo Deucato, and sprang So eagerly around about to hang Upon the flying footsteps of—deep pride— **Of her who lov’d a mortal—and so died. The Sephalica, budding with young bees, Uprear’d its purple stem around her knees: * On Santa Maura—olim Deucadia. **And gemmy flower, of Trebizond misnam’d— Inmate of highest stars, where erst it sham’d All other loveliness: its honied dew (The fabled nectar that the heathen knew) Deliriously sweet, was dropp’d from Heaven, And fell on gardens of the unforgiven In Trebizond—and on a sunny flower So like its own above that, to this hour, It still remaineth, torturing the bee With madness, and unwonted reverie: In Heaven, and all its environs, the leaf And blossom of the fairy plant, in grief Disconsolate linger—grief that hangs her head, Repenting follies that full long have fled, Heaving her white breast to the balmy air, Like guilty beauty, chasten’d, and more fair: Nyctanthes too, as sacred as the light She fears to perfume, perfuming the night: **And Clytia pondering between many a sun, While pettish tears adown her petals run: ***And that aspiring flower that sprang on Earth— And died, ere scarce exalted into birth, Bursting its odorous heart in spirit to wing Its way to Heaven, from garden of a king: * This flower is much noticed by Lewenhoeck and Tournefort. The bee, feeding upon its blossom, becomes intoxicated. ** Clytia—The Chrysanthemum Peruvianum, or, to employ a better-known term, the turnsol—which continually turns towards the sun, covers itself, like Peru, the country from which it comes, with dewy clouds which cool and refresh its flowers during the most violent heat of the day.—_B. de St. Pierre_. *** There is cultivated in the king’s garden at Paris, a species of serpentine aloes without prickles, whose large and beautiful flower exhales a strong odour of the vanilla, during the time of its expansion, which is very short. It does not blow till towards the month of July—you then perceive it gradually open its petals—expand them—fade and die.—_St. Pierre_. *And Valisnerian lotus thither flown From struggling with the waters of the Rhone: **And thy most lovely purple perfume, Zante! Isola d’oro!—Fior di Levante! ***And the Nelumbo bud that floats for ever With Indian Cupid down the holy river— Fair flowers, and fairy! to whose care is given ****To bear the Goddess’ song, in odors, up to Heaven: “Spirit! that dwellest where, In the deep sky, The terrible and fair, In beauty vie! Beyond the line of blue— The boundary of the star Which turneth at the view Of thy barrier and thy bar— Of the barrier overgone By the comets who were cast From their pride, and from their throne To be drudges till the last— To be carriers of fire (The red fire of their heart) With speed that may not tire And with pain that shall not part— * There is found, in the Rhone, a beautiful lily of the Valisnerian kind. Its stem will stretch to the length of three or four feet—thus preserving its head above water in the swellings of the river. ** The Hyacinth. *** It is a fiction of the Indians, that Cupid was first seen floating in one of these down the river Ganges—and that he still loves the cradle of his childhood. **** And golden vials full of odors which are the prayers of the saints. —Rev. St. John. Who livest—_that_ we know— In Eternity—we feel— But the shadow of whose brow What spirit shall reveal? Tho’ the beings whom thy Nesace, Thy messenger hath known Have dream’d for thy Infinity *A model of their own— Thy will is done, Oh, God! The star hath ridden high Thro’ many a tempest, but she rode Beneath thy burning eye; And here, in thought, to thee— In thought that can alone Ascend thy empire and so be A partner of thy throne— * The Humanitarians held that God was to be understood as having a really human form.—_Vide Clarke’s Sermons_, vol. 1, page 26, fol. edit. The drift of Milton’s argument, leads him to employ language which would appear, at first sight, to verge upon their doctrine; but it will be seen immediately, that he guards himself against the charge of having adopted one of the most ignorant errors of the dark ages of the church.—_Dr. Sumner’s Notes on Milton’s Christian Doctrine_. This opinion, in spite of many testimonies to the contrary, could never have been very general. Andeus, a Syrian of Mesopotamia, was condemned for the opinion, as heretical. He lived in the beginning of the fourth century. His disciples were called Anthropmorphites.—_Vide Du Pin_. Among Milton’s poems are these lines:— Dicite sacrorum præsides nemorum Deæ, &c. Quis ille primus cujus ex imagine Natura solers finxit humanum genus? Eternus, incorruptus, æquævus polo, Unusque et universus exemplar Dei.—And afterwards, Non cui profundum Cæcitas lumen dedit Dircæus augur vidit hunc alto sinu, &c. *By winged Fantasy, My embassy is given, Till secrecy shall knowledge be In the environs of Heaven.” She ceas’d—and buried then her burning cheek Abash’d, amid the lilies there, to seek A shelter from the fervour of His eye; For the stars trembled at the Deity. She stirr’d not—breath’d not—for a voice was there How solemnly pervading the calm air! A sound of silence on the startled ear Which dreamy poets name “the music of the sphere.” Ours is a world of words: Quiet we call “Silence”—which is the merest word of all. All Nature speaks, and ev’n ideal things Flap shadowy sounds from visionary wings— But ah! not so when, thus, in realms on high The eternal voice of God is passing by, And the red winds are withering in the sky! ** “What tho’ in worlds which sightless cycles run, Link’d to a little system, and one sun— Where all my love is folly and the crowd Still think my terrors but the thunder cloud, The storm, the earthquake, and the ocean-wrath— (Ah! will they cross me in my angrier path?) What tho’ in worlds which own a single sun The sands of Time grow dimmer as they run, * Seltsamen Tochter Jovis Seinem Schosskinde Der Phantasie.—_Göethe_. ** Sightless—too small to be seen—_Legge_. Yet thine is my resplendency, so given To bear my secrets thro’ the upper Heaven. Leave tenantless thy crystal home, and fly, With all thy train, athwart the moony sky— *Apart—like fire-flies in Sicilian night, And wing to other worlds another light! Divulge the secrets of thy embassy To the proud orbs that twinkle—and so be To ev’ry heart a barrier and a ban Lest the stars totter in the guilt of man!” Up rose the maiden in the yellow night, The single-mooned eve!—on Earth we plight Our faith to one love—and one moon adore— The birth-place of young Beauty had no more. As sprang that yellow star from downy hours Up rose the maiden from her shrine of flowers, And bent o’er sheeny mountain and dim plain **Her way—but left not yet her Therasæan reign. * I have often noticed a peculiar movement of the fire-flies; —they will collect in a body and fly off, from a common centre, into innumerable radii. ** Therasæa, or Therasea, the island mentioned by Seneca, which, in a moment, arose from the sea to the eyes of astonished mariners. Part II. HIGH on a mountain of enamell’d head— Such as the drowsy shepherd on his bed Of giant pasturage lying at his ease, Raising his heavy eyelid, starts and sees With many a mutter’d “hope to be forgiven” What time the moon is quadrated in Heaven— Of rosy head, that towering far away Into the sunlit ether, caught the ray Of sunken suns at eve—at noon of night, While the moon danc’d with the fair stranger light— Uprear’d upon such height arose a pile Of gorgeous columns on th’ unburthen’d air, Flashing from Parian marble that twin smile Far down upon the wave that sparkled there, And nursled the young mountain in its lair. *Of molten stars their pavement, such as fall Thro’ the ebon air, besilvering the pall Of their own dissolution, while they die— Adorning then the dwellings of the sky. A dome, by linked light from Heaven let down, Sat gently on these columns as a crown— A window of one circular diamond, there, Look’d out above into the purple air, * Some star which, from the ruin’d roof Of shak’d Olympus, by mischance, did fall.—_Milton._ And rays from God shot down that meteor chain And hallow’d all the beauty twice again, Save when, between th’ Empyrean and that ring, Some eager spirit flapp’d his dusky wing. But on the pillars Seraph eyes have seen The dimness of this world: that greyish green That Nature loves the best for Beauty’s grave Lurk’d in each cornice, round each architrave— And every sculptur’d cherub thereabout That from his marble dwelling peeréd out Seem’d earthly in the shadow of his niche— Achaian statues in a world so rich? *Friezes from Tadmor and Persepolis— From Balbec, and the stilly, clear abyss **Of beautiful Gomorrah! O, the wave Is now upon thee—but too late to save! Sound loves to revel in a summer night: Witness the murmur of the grey twilight * Voltaire, in speaking of Persepolis, says, “Je connois bien l’admiration qu’inspirent ces ruines—mais un palais erigé au pied d’une chaine des rochers sterils—peut il être un chef d’oevure des arts!” [_Voila les arguments de M. Voltaire_.] ** “Oh! the wave”—Ula Degusi is the Turkish appellation; but, on its own shores, it is called Bahar Loth, or Almotanah. There were undoubtedly more than two cities engluphed in the “dead sea.” In the valley of Siddim were five—Adrah, Zeboin, Zoar, Sodom and Gomorrah. Stephen of Byzantium mentions eight, and Strabo thirteeen, (engulphed) —but the last is out of all reason. It is said, (Tacitus, Strabo, Josephus, Daniel of St. Saba, Nau, Maundrell, Troilo, D’Arvieux) that after an excessive drought, the vestiges of columns, walls, &c. are seen above the surface. At _any_ season, such remains may be discovered by looking down into the transparent lake, and at such distances as would argue the existence of many settlements in the space now usurped by the ‘Asphaltites.’ *That stole upon the ear, in Eyraco, Of many a wild star-gazer long ago— That stealeth ever on the ear of him Who, musing, gazeth on the distance dim. And sees the darkness coming as a cloud— ***Is not its form—its voice—most palpable and loud? But what is this?—it cometh—and it brings A music with it—’tis the rush of wings— A pause—and then a sweeping, falling strain And Nesace is in her halls again. From the wild energy of wanton haste Her cheeks were flushing, and her lips apart; And zone that clung around her gentle waist Had burst beneath the heaving of her heart. Within the centre of that hall to breathe She paus’d and panted, Zanthe! all beneath, The fairy light that kiss’d her golden hair And long’d to rest, yet could but sparkle there! ***Young flowers were whispering in melody To happy flowers that night—and tree to tree; Fountains were gushing music as they fell In many a star-lit grove, or moon-lit dell; Yet silence came upon material things— Fair flowers, bright waterfalls and angel wings— And sound alone that from the spirit sprang Bore burthen to the charm the maiden sang: * Eyraco—Chaldea. ** I have often thought I could distinctly hear the sound of the darkness as it stole over the horizon. *** Fairies use flowers for their charactery.—_Merry Wives of Windsor_. [William Shakespeare] “’Neath blue-bell or streamer— Or tufted wild spray That keeps, from the dreamer, *The moonbeam away— Bright beings! that ponder, With half closing eyes, On the stars which your wonder Hath drawn from the skies, Till they glance thro’ the shade, and Come down to your brow Like—eyes of the maiden Who calls on you now— Arise! from your dreaming In violet bowers, To duty beseeming These star-litten hours— And shake from your tresses Encumber’d with dew The breath of those kisses That cumber them too— (O! how, without you, Love! Could angels be blest?) Those kisses of true love That lull’d ye to rest! Up!—shake from your wing Each hindering thing: The dew of the night— It would weigh down your flight; And true love caresses— O! leave them apart! * In Scripture is this passage—“The sun shall not harm thee by day, nor the moon by night.” It is perhaps not generally known that the moon, in Egypt, has the effect of producing blindness to those who sleep with the face exposed to its rays, to which circumstance the passage evidently alludes. They are light on the tresses, But lead on the heart. Ligeia! Ligeia! My beautiful one! Whose harshest idea Will to melody run, O! is it thy will On the breezes to toss? Or, capriciously still, *Like the lone Albatross, Incumbent on night (As she on the air) To keep watch with delight On the harmony there? Ligeia! whatever Thy image may be, No magic shall sever Thy music from thee. Thou hast bound many eyes In a dreamy sleep— But the strains still arise Which _thy_ vigilance keep— The sound of the rain Which leaps down to the flower, And dances again In the rhythm of the shower— **The murmur that springs From the growing of grass * The Albatross is said to sleep on the wing. ** I met with this idea in an old English tale, which I am now unable to obtain and quote from memory:—“The verie essence and, as it were, springe-heade, and origine of all musiche is the verie pleasaunte sounde which the trees of the forest do make when they growe.” Are the music of things— But are modell’d, alas!— Away, then my dearest, O! hie thee away To springs that lie clearest Beneath the moon-ray— To lone lake that smiles, In its dream of deep rest, At the many star-isles That enjewel its breast— Where wild flowers, creeping, Have mingled their shade, On its margin is sleeping Full many a maid— Some have left the cool glade, and * Have slept with the bee— Arouse them my maiden, On moorland and lea— Go! breathe on their slumber, All softly in ear, The musical number They slumber’d to hear— For what can awaken An angel so soon * The wild bee will not sleep in the shade if there be moonlight. The rhyme in this verse, as in one about sixty lines before, has an appearance of affectation. It is, however, imitated from Sir W. Scott, or rather from Claud Halcro—in whose mouth I admired its effect: O! were there an island, Tho’ ever so wild Where woman might smile, and No man be beguil’d, &c. Whose sleep hath been taken Beneath the cold moon, As the spell which no slumber Of witchery may test, The rythmical number Which lull’d him to rest?” Spirits in wing, and angels to the view, A thousand seraphs burst th’ Empyrean thro’, Young dreams still hovering on their drowsy flight— Seraphs in all but “Knowledge,” the keen light That fell, refracted, thro’ thy bounds, afar O Death! from eye of God upon that star: Sweet was that error—sweeter still that death— Sweet was that error—ev’n with _us_ the breath Of science dims the mirror of our joy— To them ’twere the Simoom, and would destroy— For what (to them) availeth it to know That Truth is Falsehood—or that Bliss is Woe? Sweet was their death—with them to die was rife With the last ecstacy of satiate life— Beyond that death no immortality— But sleep that pondereth and is not “to be”— And there—oh! may my weary spirit dwell— *Apart from Heaven’s Eternity—and yet how far from Hell! * With the Arabians there is a medium between Heaven and Hell, where men suffer no punishment, but yet do not attain that tranquil and even happiness which they suppose to be characteristic of heavenly enjoyment. Un no rompido sueno— Un dia puro—allegre—libre Quiera— Libre de amor—de zelo— De odio—de esperanza—de rezelo.—_Luis Ponce de Leon_. Sorrow is not excluded from “Al Aaraaf,” but it is that sorrow which the living love to cherish for the dead, and which, in some minds, resembles the delirium of opium. The passionate excitement of Love and the buoyancy of spirit attendant upon intoxication are its less holy pleasures— the price of which, to those souls who make choice of “Al Aaraaf” as their residence after life, is final death and annihilation. What guilty spirit, in what shrubbery dim, Heard not the stirring summons of that hymn? But two: they fell: for Heaven no grace imparts To those who hear not for their beating hearts. A maiden-angel and her seraph-lover— O! where (and ye may seek the wide skies over) Was Love, the blind, near sober Duty known? *Unguided Love hath fallen—‘mid “tears of perfect moan.” He was a goodly spirit—he who fell: A wanderer by moss-y-mantled well— A gazer on the lights that shine above— A dreamer in the moonbeam by his love: What wonder? For each star is eye-like there, And looks so sweetly down on Beauty’s hair— And they, and ev’ry mossy spring were holy To his love-haunted heart and melancholy. The night had found (to him a night of wo) Upon a mountain crag, young Angelo— Beetling it bends athwart the solemn sky, And scowls on starry worlds that down beneath it lie. Here sate he with his love—his dark eye bent With eagle gaze along the firmament: Now turn’d it upon her—but ever then It trembled to the orb of EARTH again. “Iante, dearest, see! how dim that ray! How lovely ’tis to look so far away! * There be tears of perfect moan Wept for thee in Helicon.—_Milton._ She seem’d not thus upon that autumn eve I left her gorgeous halls—nor mourn’d to leave. That eve—that eve—I should remember well— The sun-ray dropp’d, in Lemnos, with a spell On th’Arabesque carving of a gilded hall Wherein I sate, and on the draperied wall— And on my eye-lids—O the heavy light! How drowsily it weigh’d them into night! On flowers, before, and mist, and love they ran With Persian Saadi in his Gulistan: But O that light!—I slumber’d—Death, the while, Stole o’er my senses in that lovely isle So softly that no single silken hair Awoke that slept—or knew that it was there. The last spot of Earth’s orb I trod upon *Was a proud temple call’d the Parthenon— More beauty clung around her column’d wall **Than ev’n thy glowing bosom beats withal, And when old Time my wing did disenthral Thence sprang I—as the eagle from his tower, And years I left behind me in an hour. What time upon her airy bounds I hung One half the garden of her globe was flung Unrolling as a chart unto my view— Tenantless cities of the desert too! Ianthe, beauty crowded on me then, And half I wish’d to be again of men.” “My Angelo! and why of them to be? A brighter dwelling-place is here for thee— * It was entire in 1687—the most elevated spot in Athens. ** Shadowing more beauty in their airy brows Than have the white breasts of the Queen of Love.—_Marlowe._ And greener fields than in yon world above, And women’s loveliness—and passionate love.” “But, list, Ianthe! when the air so soft *Fail’d, as my pennon’d spirit leapt aloft, Perhaps my brain grew dizzy—but the world I left so late was into chaos hurl’d— Sprang from her station, on the winds apart, And roll’d, a flame, the fiery Heaven athwart. Methought, my sweet one, then I ceased to soar And fell—not swiftly as I rose before, But with a downward, tremulous motion thro’ Light, brazen rays, this golden star unto! Nor long the measure of my falling hours, For nearest of all stars was thine to ours— Dread star! that came, amid a night of mirth, A red Dædalion on the timid Earth. “We came—and to thy Earth—but not to us Be given our lady’s bidding to discuss: We came, my love; around, above, below, Gay fire-fly of the night we come and go, Nor ask a reason save the angel-nod She grants to us, as granted by her God— But, Angelo, than thine grey Time unfurl’d Never his fairy wing o’er fairier world! Dim was its little disk, and angel eyes Alone could see the phantom in the skies, When first Al Aaraaf knew her course to be Headlong thitherward o’er the starry sea— But when its glory swell’d upon the sky, As glowing Beauty’s bust beneath man’s eye, * Pennon—for pinion.—_Milton_. We paus’d before the heritage of men, And thy star trembled—as doth Beauty then!” Thus, in discourse, the lovers whiled away The night that waned and waned and brought no day. They fell: for Heaven to them no hope imparts Who hear not for the beating of their hearts. TAMERLANE Kind solace in a dying hour! Such, father, is not (now) my theme— I will not madly deem that power Of Earth may shrive me of the sin Unearthly pride hath revell’d in— I have no time to dote or dream: You call it hope—that fire of fire! It is but agony of desire: If I _can_ hope—Oh God! I can— Its fount is holier—more divine— I would not call thee fool, old man, But such is not a gift of thine. Know thou the secret of a spirit Bow’d from its wild pride into shame. O! yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again— O! craving heart, for the lost flowers And sunshine of my summer hours! Th’ undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness—a knell. I have not always been as now: The fever’d diadem on my brow I claim’d and won usurpingly— Hath not the same fierce heirdom given Rome to the Caesar—this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind. On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair. So late from Heaven—that dew—it fell (Mid dreams of an unholy night) Upon me—with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o’er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder’s roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!—was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter’d—and the heavy wind Was giantlike—so thou, my mind!— It was but man, I thought, who shed Laurels upon me: and the rush— The torrent of the chilly air Gurgled within my ear the crush Of empires—with the captive’s prayer— The hum of suiters—and the tone Of flattery ‘round a sovereign’s throne. My passions, from that hapless hour, Usurp’d a tyranny which men Have deem’d, since I have reach’d to power; My innate nature—be it so: But, father, there liv’d one who, then, Then—in my boyhood—when their fire Burn’d with a still intenser glow, (For passion must, with youth, expire) E’en _then_ who knew this iron heart In woman’s weakness had a part. I have no words—alas!—to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are—shadows on th’ unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters—with their meaning—melt To fantasies—with none. O, she was worthy of all love! Love—as in infancy was mine— ’Twas such as angel minds above Might envy; her young heart the shrine On which my ev’ry hope and thought Were incense—then a goodly gift, For they were childish—and upright— Pure—as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age—and love—together, Roaming the forest, and the wild; My breast her shield in wintry weather— And, when the friendly sunshine smil’d, And she would mark the opening skies, _I_ saw no Heaven—but in her eyes. Young Love’s first lesson is—the heart: For ‘mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I’d throw me on her throbbing breast, And pour my spirit out in tears— There was no need to speak the rest— No need to quiet any fears Of her—who ask’d no reason why, But turn’d on me her quiet eye! Yet _more_ than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone— I had no being—but in thee: The world, and all it did contain In the earth—the air—the sea— Its joy—its little lot of pain That was new pleasure—the ideal, Dim, vanities of dreams by night— And dimmer nothings which were real— (Shadows—and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image, and—a name—a name! Two separate—yet most intimate things. I was ambitious—have you known The passion, father? You have not: A cottager, I mark’d a throne Of half the world as all my own, And murmur’d at such lowly lot— But, just like any other dream, Upon the vapour of the dew My own had past, did not the beam Of beauty which did while it thro’ The minute—the hour—the day—oppress My mind with double loveliness. We walk’d together on the crown Of a high mountain which look’d down Afar from its proud natural towers Of rock and forest, on the hills— The dwindled hills! begirt with bowers And shouting with a thousand rills. I spoke to her of power and pride, But mystically—in such guise That she might deem it nought beside The moment’s converse; in her eyes I read, perhaps too carelessly— A mingled feeling with my own— The flush on her bright cheek, to me Seem’d to become a queenly throne Too well that I should let it be Light in the wilderness alone. I wrapp’d myself in grandeur then, And donn’d a visionary crown— Yet it was not that Fantasy Had thrown her mantle over me— But that, among the rabble—men, Lion ambition is chain’d down— And crouches to a keeper’s hand— Not so in deserts where the grand The wild—the terrible conspire With their own breath to fan his fire. Look ‘round thee now on Samarcand!— Is not she queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling—her veriest stepping-stone Shall form the pedestal of a throne— And who her sovereign? Timour—he Whom the astonished people saw Striding o’er empires haughtily A diadem’d outlaw— O! human love! thou spirit given, On Earth, of all we hope in Heaven! Which fall’st into the soul like rain Upon the Siroc wither’d plain, And failing in thy power to bless But leav’st the heart a wilderness! Idea! which bindest life around With music of so strange a sound And beauty of so wild a birth— Farewell! for I have won the Earth! When Hope, the eagle that tower’d, could see No cliff beyond him in the sky, His pinions were bent droopingly— And homeward turn’d his soften’d eye. ’Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun. That soul will hate the ev’ning mist, So often lovely, and will list To the sound of the coming darkness (known To those whose spirits hearken) as one Who, in a dream of night, _would_ fly But _cannot_ from a danger nigh. What tho’ the moon—the white moon Shed all the splendour of her noon, Her smile is chilly—and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death. And boyhood is a summer sun Whose waning is the dreariest one— For all we live to know is known, And all we seek to keep hath flown— Let life, then, as the day-flower, fall With the noon-day beauty—which is all. I reach’d my home—my home no more— For all had flown who made it so— I pass’d from out its mossy door, And, tho’ my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known— O! I defy thee, Hell, to show On beds of fire that burn below, A humbler heart—a deeper wo— Father, I firmly do believe— I _know_—for Death, who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro’ Eternity— I do believe that Eblis hath A snare in ev’ry human path— Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trelliced rays from Heaven No mote may shun—no tiniest fly The light’ning of his eagle eye— How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love’s very hair? 1829. TO HELEN Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o’er a perfumed sea, The weary way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo! in yon brilliant window-niche How statue-like I me thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy-land! 1831. THE VALLEY OF UNREST _Once_ it smiled a silent dell Where the people did not dwell; They had gone unto the wars, Trusting to the mild-eyed stars, Nightly, from their azure towers, To keep watch above the flowers, In the midst of which all day The red sun-light lazily lay. _Now_ each visitor shall confess The sad valley’s restlessness. Nothing there is motionless— Nothing save the airs that brood Over the magic solitude. Ah, by no wind are stirred those trees That palpitate like the chill seas Around the misty Hebrides! Ah, by no wind those clouds are driven That rustle through the unquiet Heaven Uneasily, from morn till even, Over the violets there that lie In myriad types of the human eye— Over the lilies there that wave And weep above a nameless grave! They wave:—from out their fragrant tops Eternal dews come down in drops. They weep:—from off their delicate stems Perennial tears descend in gems. 1831. ISRAFEL* In Heaven a spirit doth dwell “Whose heart-strings are a lute;” None sing so wildly well As the angel Israfel, And the giddy stars (so legends tell) Ceasing their hymns, attend the spell Of his voice, all mute. Tottering above In her highest noon The enamoured moon Blushes with love, While, to listen, the red levin (With the rapid Pleiads, even, Which were seven,) Pauses in Heaven And they say (the starry choir And all the listening things) That Israfeli’s fire Is owing to that lyre By which he sits and sings— The trembling living wire Of those unusual strings. * And the angel Israfel, whose heart-strings are a lut, and who has the sweetest voice of all God’s creatures.—KORAN. But the skies that angel trod, Where deep thoughts are a duty— Where Love’s a grown up God— Where the Houri glances are Imbued with all the beauty Which we worship in a star. Therefore, thou art not wrong, Israfeli, who despisest An unimpassion’d song: To thee the laurels belong Best bard, because the wisest! Merrily live, and long! The extacies above With thy burning measures suit— Thy grief, thy joy, thy hate, thy love, With the fervor of thy lute— Well may the stars be mute! Yes, Heaven is thine; but this Is a world of sweets and sours; Our flowers are merely—flowers, And the shadow of thy perfect bliss Is the sunshine of ours. If I could dwell Where Israfel Hath dwelt, and he where I, He might not sing so wildly well A mortal melody, While a bolder note than this might swell From my lyre within the sky. 1836. TO —— 1 The bowers whereat, in dreams, I see The wantonest singing birds Are lips—and all thy melody Of lip-begotten words— 2 Thine eyes, in Heaven of heart enshrin’d Then desolately fall, O! God! on my funereal mind Like starlight on a pall— 3 Thy heart—_thy_ heart!—I wake and sigh, And sleep to dream till day Of truth that gold can never buy— Of the trifles that it may. 1829. TO —— I heed not that my earthly lot Hath-little of Earth in it— That years of love have been forgot In the hatred of a minute:— I mourn not that the desolate Are happier, sweet, than I, But that you sorrow for my fate Who am a passer-by. 1829. TO THE RIVER—— Fair river! in thy bright, clear flow Of crystal, wandering water, Thou art an emblem of the glow Of beauty—the unhidden heart— The playful maziness of art In old Alberto’s daughter; But when within thy wave she looks— Which glistens then, and trembles— Why, then, the prettiest of brooks Her worshipper resembles; For in my heart, as in thy stream, Her image deeply lies— His heart which trembles at the beam Of her soul-searching eyes. 1829. SONG I saw thee on thy bridal day— When a burning blush came o’er thee, Though happiness around thee lay, The world all love before thee: And in thine eye a kindling light (Whatever it might be) Was all on Earth my aching sight Of Loveliness could see. That blush, perhaps, was maiden shame— As such it well may pass— Though its glow hath raised a fiercer flame In the breast of him, alas! Who saw thee on that bridal day, When that deep blush _would_ come o’er thee, Though happiness around thee lay, The world all love before thee. 1827. SPIRITS OF THE DEAD 1 Thy soul shall find itself alone ‘Mid dark thoughts of the grey tomb-stone— Not one, of all the crowd, to pry Into thine hour of secrecy: 2 Be silent in that solitude Which is not loneliness—for then The spirits of the dead who stood In life before thee are again In death around thee—and their will Shall then overshadow thee: be still. 3 For the night—tho’ clear—shall frown— And the stars shall look not down, From their high thrones in the Heaven, With light like Hope to mortals given— But their red orbs, without beam, To thy weariness shall seem As a burning and a fever Which would cling to thee for ever: 4 Now are thoughts thou shalt not banish— Now are visions ne’er to vanish— From thy spirit shall they pass No more—like dew-drop from the grass: 5 The breeze—the breath of God—is still— And the mist upon the hill Shadowy—shadowy—yet unbroken, Is a symbol and a token— How it hangs upon the trees, A mystery of mysteries!— 1827. A DREAM In visions of the dark night I have dreamed of joy departed— But a waking dreams of life and light Hath left me broken-hearted. Ah! what is not a dream by day To him whose eyes are cast On things around him with a ray Turned back upon the past? That holy dream—that holy dream, While all the world were chiding, Hath cheered me as a lovely beam A lonely spirit guiding. What though that light, thro’ storm and night, So trembled from afar- What could there be more purely bright In Truths day-star? 1827. ROMANCE Romance, who loves to nod and sing, With drowsy head and folded wing, Among the green leaves as they shake Far down within some shadowy lake, To me a painted paroquet Hath been—a most familiar bird— Taught me my alphabet to say— To lisp my very earliest word While in the wild wood I did lie, A child—with a most knowing eye. Of late, eternal Condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky. And when an hour with calmer wings Its down upon thy spirit flings— That little time with lyre and rhyme To while away—forbidden things! My heart would feel to be a crime Unless it trembled with the strings. 1829. FAIRY-LAND Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial One, more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down With its centre on the crown Of a mountain’s eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be— O’er the strange woods—o’er the sea— Over spirits on the wing— Over every drowsy thing— And buries them up quite In a labyrinth of light— And then, how deep!—O, deep! Is the passion of their sleep. In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like—almost any thing— Or a yellow Albatross. They use that moon no more For the same end as before— Videlicet a tent— Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies, Of Earth, who seek the skies, And so come down again (Never-contented things!) Have brought a specimen Upon their quivering wings. 1831. THE LAKE —— TO—— In spring of youth it was my lot To haunt of the wide earth a spot The which I could not love the less— So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that tower’d around. But when the Night had thrown her pall Upon that spot, as upon all, And the mystic wind went by Murmuring in melody— Then—ah then I would awake To the terror of the lone lake. Yet that terror was not fright, But a tremulous delight— A feeling not the jewelled mine Could teach or bribe me to define— Nor Love—although the Love were thine. Death was in that poisonous wave, And in its gulf a fitting grave For him who thence could solace bring To his lone imagining— Whose solitary soul could make An Eden of that dim lake. 1827. EVENING STAR ’Twas noontide of summer, And midtime of night, And stars, in their orbits, Shone pale, through the light Of the brighter, cold moon. ‘Mid planets her slaves, Herself in the Heavens, Her beam on the waves. I gazed awhile On her cold smile; Too cold-too cold for me— There passed, as a shroud, A fleecy cloud, And I turned away to thee, Proud Evening Star, In thy glory afar And dearer thy beam shall be; For joy to my heart Is the proud part Thou bearest in Heaven at night., And more I admire Thy distant fire, Than that colder, lowly light. 1827. “THE HAPPIEST DAY.” I The happiest day-the happiest hour My seared and blighted heart hath known, The highest hope of pride and power, I feel hath flown. Of power! said I? Yes! such I ween But they have vanished long, alas! The visions of my youth have been But let them pass. III And pride, what have I now with thee? Another brow may ev’n inherit The venom thou hast poured on me Be still my spirit! IV The happiest day-the happiest hour Mine eyes shall see-have ever seen The brightest glance of pride and power I feet have been: V But were that hope of pride and power Now offered with the pain Ev’n _then I _felt-that brightest hour I would not live again: VI For on its wing was dark alloy And as it fluttered-fell An essence-powerful to destroy A soul that knew it well. 1827. IMITATION A dark unfathom’d tide Of interminable pride— A mystery, and a dream, Should my early life seem; I say that dream was fraught With a wild, and waking thought Of beings that have been, Which my spirit hath not seen, Had I let them pass me by, With a dreaming eye! Let none of earth inherit That vision on my spirit; Those thoughts I would control As a spell upon his soul: For that bright hope at last And that light time have past, And my worldly rest hath gone With a sigh as it pass’d on I care not tho’ it perish With a thought I then did cherish. 1827. HYMN TO ARISTOGEITON AND HARMODIUS Translation from the Greek I Wreathed in myrtle, my sword I’ll conceal Like those champions devoted and brave, When they plunged in the tyrant their steel, And to Athens deliverance gave. II Beloved heroes! your deathless souls roam In the joy breathing isles of the blest; Where the mighty of old have their home Where Achilles and Diomed rest III In fresh myrtle my blade I’ll entwine, Like Harmodius, the gallant and good, When he made at the tutelar shrine A libation of Tyranny’s blood. IV Ye deliverers of Athens from shame! Ye avengers of Liberty’s wrongs! Endless ages shall cherish your fame, Embalmed in their echoing songs! 1827. DREAMS Oh! that my young life were a lasting dream! My spirit not awak’ning, till the beam Of an Eternity should bring the morrow: Yes! tho’ that long dream were of hopeless sorrow, ’Twere better than the dull reality Of waking life to him whose heart shall be, And hath been ever, on the chilly earth, A chaos of deep passion from his birth! But should it be—that dream eternally Continuing—as dreams have been to me In my young boyhood—should it thus be given, ’Twere folly still to hope for higher Heaven! For I have revell’d, when the sun was bright In the summer sky; in dreamy fields of light, And left unheedingly my very heart In climes of mine imagining—apart From mine own home, with beings that have been Of mine own thought—what more could I have seen? ’Twas once & _only_ once & the wild hour From my rememberance shall not pass—some power Or spell had bound me—’twas the chilly wind Came o’er me in the night & left behind Its image on my spirit, or the moon Shone on my slumbers in her lofty noon Too coldly—or the stars—howe’er it was That dream was as that night wind—let it pass. I have been happy—tho’ but in a dream I have been happy—& I love the theme— Dreams! in their vivid colouring of life— As in that fleeting, shadowy, misty strife Of semblance with reality which brings To the delirious eye more lovely things Of Paradise & Love—& all our own! Than young Hope in his sunniest hour hath known. {From an earlier MS. Than in the book—ED.} “IN YOUTH I HAVE KNOWN ONE” _How often we forget all time, when lone Admiring Nature’s universal throne; Her woods—her wilds—her mountains-the intense Reply of Hers to Our intelligence!_ I IN youth I have known one with whom the Earth In secret communing held-as he with it, In daylight, and in beauty, from his birth: Whose fervid, flickering torch of life was lit From the sun and stars, whence he had drawn forth A passionate light such for his spirit was fit And yet that spirit knew-not in the hour Of its own fervor-what had o’er it power. II Perhaps it may be that my mind is wrought To a fever* by the moonbeam that hangs o’er, But I will half believe that wild light fraught With more of sovereignty than ancient lore Hath ever told-or is it of a thought The unembodied essence, and no more That with a quickening spell doth o’er us pass As dew of the night-time, o’er the summer grass? III Doth o’er us pass, when, as th’ expanding eye To the loved object-so the tear to the lid Will start, which lately slept in apathy? And yet it need not be—(that object) hid From us in life-but common-which doth lie Each hour before us—but then only bid With a strange sound, as of a harp-string broken T’ awake us—’Tis a symbol and a token IV Of what in other worlds shall be—and given In beauty by our God, to those alone Who otherwise would fall from life and Heaven Drawn by their heart’s passion, and that tone, That high tone of the spirit which hath striven Though not with Faith-with godliness—whose throne With desperate energy ‘t hath beaten down; Wearing its own deep feeling as a crown. * Query “fervor”?—ED. A PÆAN. I. How shall the burial rite be read? The solemn song be sung? The requiem for the loveliest dead, That ever died so young? II. Her friends are gazing on her, And on her gaudy bier, And weep!—oh! to dishonor Dead beauty with a tear! III. They loved her for her wealth— And they hated her for her pride— But she grew in feeble health, And they _love_ her—that she died. IV. They tell me (while they speak Of her “costly broider’d pall”) That my voice is growing weak— That I should not sing at all— V. Or that my tone should be Tun’d to such solemn song So mournfully—so mournfully, That the dead may feel no wrong. VI. But she is gone above, With young Hope at her side, And I am drunk with love Of the dead, who is my bride.— VII. Of the dead—dead who lies All perfum’d there, With the death upon her eyes, And the life upon her hair. VIII. Thus on the coffin loud and long I strike—the murmur sent Through the grey chambers to my song, Shall be the accompaniment. IX. Thou died’st in thy life’s June— But thou did’st not die too fair: Thou did’st not die too soon, Nor with too calm an air. X. From more than fiends on earth, Thy life and love are riven, To join the untainted mirth Of more than thrones in heaven— XII. Therefore, to thee this night I will no requiem raise, But waft thee on thy flight, With a Pæan of old days. NOTES 30. On the “Poems written in Youth” little comment is needed. This section includes the pieces printed for first volume of 1827 (which was subsequently suppressed), such poems from the first and second published volumes of 1829 and 1831 as have not already been given in their revised versions, and a few others collected from various sources. “Al Aaraaf” first appeared, with the sonnet “To Silence” prefixed to it, in 1829, and is, substantially, as originally issued. In the edition for 1831, however, this poem, its author’s longest, was introduced by the following twenty-nine lines, which have been omitted in—all subsequent collections: